Vol. 1 No. 1 (2022): Proceedings of POP-APP. International Conference on the description, conservation and use of movable books

Articoli

• Editorial

  Gianfranco Crupi, Pompeo Vagliani

  I

  • PDF (Italiano)

• The Long and Fascinating History of Scientific and Ludic Imagination in the Interactive Books (13th-20th centuries)

  Gianfranco Crupi, Pompeo Vagliani

  1-5

  • PDF (Italiano)

• Flaps, Volvelles, and Vellum in Pre-Modern Movable Manuscript and Print

  Suzanne Karr Schmidt

  6-22

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• La catalogazione dei libri antichi e ottocenteschi con parti mobili: problematiche descrittive e terminologiche

  Andrea De Pasquale

  23-29

  • PDF (Italiano)

• Una base dati speciale per i libri animati

  Simonetta Buttò, Flavia Bruni

  30-35

  • PDF (Italiano)

• Far from ordinary – Conservation of pop-up techniques from 19th century children’s books

  Marie Grotewohl

  36-46

  • PDF (Italiano)

• L’Astrologia di Ottavio Pisani: problematiche conservative su un libro animato di grandi dimensioni

  Maria Luisa Riccardi, Irene Cristofari

  47-62

  • PDF (Italiano)

• Il restauro dei libri animati moderni: una sfida sulle problematiche metodologiche e pratiche conservative

  Ambra D'Aleo, Claudia Garofalo

  63-77

  • PDF (Italiano)

• La magia dei libri pop-up Restauro di libri rari e straordinari

  Francesca Telli, Sara Degrado Valdevira

  78-87

  • PDF (Italiano)

• An Anatomy of Movable Delights: Analyzing selected 18th -21st century interactive books from a comparative media approach

  Jacqueline Reid-Walsh

  88-103

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• This is not a Book: the Anti-Pedagogy of the Movable Book

  Roberto Farné

  104-110

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• Indestructible, Destructible, and Destroyed: Nineteenth-Century Novelty Picturebooks and the Embodied Child Reader

  Hannah Field

  121-131

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• Movements of rotation and revolution Hypertext in the Seventies

  Paola Castellucci

  121-131

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• Cheap Toys for All in Nineteenth-Century Europe

  Elisa Marazzi

  132-146

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• Playing at the Page: Designing to Support Creative Readership Practices

  Rebecca Rouse, Lissa Holloway-Attaway

  147-166

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• Between the Movable book and the Artist book The page reinvents itself

  Gaëlle Pelachaud

  167-175

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• L’ archivio di un creatore di libri in movimento: la natura e gli elementi dei fondi d’artista

  Dimitri Brunetti

  176-185

  • PDF (Italiano)

• The Enhancement of Movable Books through New Digital Technologies: MUSLI’s Experiences and New Challenges

  Giovanni Greco

  186-193

  • PDF (Italiano)

• Cheap Books not mean Less Valuable Books Low cost Movable Books

  Pietro Franchi

  194-199

  • PDF (Italiano)

• My Adventure with Pop-ups

  Massimo Missiroli

  200-204

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